A TRADITIONAL
INDUSTRY - TODAY IT MAKES MORE SENSE THAN EVER
Fur is one of the oldest forms of
clothing we know. It is still exceptional for its
warmth, durability and beauty.
In an age of increasing
standardization and mass production, the fur trade
preserves skills and values which have been passed
down through generations. Fur garments are the
product of meticulous handcraft.
Each and every fur pelt is
unique. As a result, the making of a fur coat can
never really be "automated". From the production and
dressing of pelts through to the design and
manufacture of the finished garment, the fur trade
is still characterized by small-scale, family-run
businesses.
THE AUCTIONS: FUR
FROM AROUND THE WORLD
Furriers generally purchase their
pelts - whether farmed or wild - at international
auctions. Major North American auctions are held,
several times a year, in Toronto, North Bay, New
York and Seattle.
When the auction begins, buyers
from the fashion centers of the world, speaking a
dozen different languages, bid for each lot as it is
presented. It takes a keen eye, strong nerves and a
lifetime of experience to play this game. In the
brief moments before the auctioneer's hammer falls,
decisions must be made which will determine the rest
of the furrier's year. This open, competitive system
assures producers the highest possible price for
their furs. Most major auction facilities are now
owned directly by the producers.
DRESSING THE
PELTS: ART AND SCIENCE
From the auction house, pelts are
sent for tanning and "dressing". The tanning of
animal skins was one of Man's first explorations
into the mysteries of applied chemistry. Modern fur
dressers have perfected techniques for producing
pelts which are supple, lustrous and truly
long-lasting.
In addition to simple tanning, to
preserve the leather, many other techniques are now
used. The long outer guard hairs of a beaver pelt
may be removed ("plucking"), and the thick soft
underfur "sheared" to a uniform length. This
luxurious velvet may then be dyed in a range of
vibrant colors. Some of these processes require
months and up to one hundred steps to complete.
MAKING A FUR GARMENT: A LIVING
TRADITION
When the dressed pelts reach the
furrier's workshop, they must be sorted into
well-matched "bundles", each with exactly the pelts
needed to make one coal or jacket.
Each pelt is cut to the
designer's pattern. The pieces are wet, stretched
and tacked to a "blocking" table, to shape and
soften them. Finally they will be sewn together.
With smaller pelts, especially
mink, even more intricate work is required. Each
pelt is sliced into narrow diagonal strips, and then
meticulously sewn back together into a longer,
narrower band. This process, know as "letting out",
is one of the secrets of making a supple, flowing
garment. A tine mink coat requires hundreds of tiny
seams.
The furrier's craft is a
painstaking process - there is no waste. Even small
leftover pieces are collected, sorted by color and
fur texture, and then sewn together into "plates"
from which less expensive "pieced" garments will
later be produced. Everything is used.
The tens of hours of skilled
handwork through every stage of this process - from
pelt production, to dressing, design and
manufacturing - are the major component in the final
cost of a fur garment. In all, it takes about one
full year from the time trappers and farmers send
their furs to auction, until the finished fur
garment is ready for the consumer.
FURRIERS AND
CONSERVATION
Furriers have traditionally
concentrated their efforts on making the best
quality garments possible, confident that protection
of the primary resource is assured by government
authorities, wildlife biologists, veterinarians and
other competent scientists.
Environmental issues are of such
importance today, however, that furriers themselves
now seek to inform their customers about the vital
role the fur trade plays in environmental
conservation:
The fur trade is solidly based on the
responsible use of a renewable natural resource.
This is true for both farmed and wild furs.
The use of furs from wild species is
strictly controlled, nationally and
internationally. No furbearing species is
endangered by the fur trade.
The fur trade provides income for
thousands of North Americans in rural and remote
regions where, often, there is little
alternative employment.
Fur harvesting is fully compatible with
environmental conservation and encourages the
protection of wildlife habitat.
Living and working on the land, trappers
serve as environmental "antennae" for a
predominantly urban society - they are among the
first to sound the alarm when wildlife habitat
is threatened.
The fur trade is non-polluting,
decentralized and is characterized primarily by
small-scale family-run operations at all levels
of the production chain.
Above all, the survival of the trade is
directly dependent upon protection of habitat
and sound management of wildlife populations.
At a time when we are all increasingly
aware of the need to conserve scarce re-
sources, furs are coming to be recognized as
warm, lightweight and beautiful - but also
extremely practical.